Izotope Rx 5 Noise Reduction

What is RX 5 Audio Editor?

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Overview

Aug 05, 2016 NOISE REDUCTION - RX5 IZOTOPE see more in wcdaudio.com. RX Audio Repair Master Class iZotope RX 5 Audio Editor Tips & Tricks. IZotope RX5 - De-Noise 를 이용한 노이즈 제거. May 01, 2014 iZotope RX 3 Advanced: The Cadillac of Noise-Reduction Software. I’ve been a huge fan of iZotope RX 2 Advanced since its introduction more than three years ago, consistently using the comprehensive suite of noise-reduction software on all my post-production sessions.

iZotope's award-winning RX 5 Audio Editor is the industry standard for audio repair and enhancement, fixing common audio problems like noises, distortions, and inconsistent recordings. Post production professionals, audio engineers, and video editors alike use RX to transform previously unusable audio into pristine material.

RX 5 Audio Editor’s suite of automatic, intelligent modules reduce manual tasks in your audio production workflow, freeing you up to focus on creative experimentation. And for professionals who need to quickly deliver quality results, RX 5 Advanced Audio Editor offers even more specialized post production tools.

Design philosophy

RX 5 Audio Editor is a visual selection-based audio environment. Most of its user interface is devoted to the Spectrogram/Waveform display, an integral part of the RX editing workflow. The Spectrogram/Waveform display has many features that enable you to refine and visualize your audio, allowing for better recognition and selection of problematic areas of audio, ultimately providing a higher quality, more transparent result.

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RX 5 Advanced Audio Editor

In addition to the standard version of RX 5 Audio Editor, an extended application, RX 5 Advanced Audio Editor, offers even more precise control over the RX algorithms as well as including some additional, critically acclaimed Modules and Plug-ins.

RX 5 Advanced Audio Editor exclusives:

Ambience Match, for automatically filling any holes in the natural ambience caused by edits, gaps or dropouts.
Azimuth adjustment*, for both automatic and manual alignment of audio recorded to tape.
Center extraction*, for recovery of mid or side channel information.
Deconstruct*, for incredible simple yet powerful independent gain control of all tonal and noisy audio components in an audio signal.
De-click (advanced settings), for detailed dialogue edits and restoration tasks, tuning parameters to tackle problem clicks, thumps, and bumps.
De-clip threshold unlinking, for for repairing clipping in unbalanced, asymmetric waveforms with independent threshold control.
De-noise (advanced settings), for finer control over the noise reduction process, including Adaptive noise reduction mode, for accurately tracking a changing noise spectrum.
De-plosive, for instantly and transparently eliminating any plosive or mic bump present in a dialogue recording.
EQ Match*, for giving clips recorded differently the same sonic feel as one another.
History export*, for detailed record keeping of any audio edits specific to a project.
iZotope Radius*, industry leading time stretching and pitch shifting.
Leveler*, for quickly smoothing any volume related inconsistencies by creating clip gain envelopes in your project.
Loudness*, for adjusting the True Peak and Integrated LKFS level of an audio clip.
Pitch Contour*, for remapping pitch inconsistencies using variable resampling.
Spectral Repair multi-resolution modes*, for better sounding results on high bandwidth edits.

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*indicates feature is available in the standalone Advanced Audio Editor only, and not the realtime plug-ins.

This help guide is shared by both the RX 5 and RX 5 Advanced Audio Editors. When a feature or control is exclusive to RX 5 Advanced Audio Editor it will be noted in the documentation using the following symbol:

Module & Plug-in

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Overview

Voice De-noise is an intuitive, zero latency de-noiser that offers high quality results on a variety of material.
Voice De-noise can intelligently analyze speech signals and determine the best noise threshold for your signal. In a DAW, this feature can be used to write automation in case you need to override the automatic settings and correct the noise threshold by hand.

How does Voice De-noise processing work?

Under the hood is a series of 64 psychoacoustically spaced bandpass filters which act as a multiband gate to pass or stop a signal based on user-defined threshold values.
If a signal component is above the threshold for the filter, it will be passed (not processed).
If a signal component is below the threshold for the filter, it will be attenuated (processed).

Controls

ADAPTIVE MODE: Analyzes the incoming signal and adjust the noise threshold automatically to compensate for changes in the noise floor. This can be useful for removing noise from recordings with variable noise floor and continual noisy sections, and works well for almost any recording of dialogue and spoken word.
Adaptive mode considerations
- The noise threshold settings in Adaptive Mode may be different from the settings achieved by running Learn to set the noise threshold manually.
- Because the adaptive noise threshold is continually being adjusted, it is set lower to prevent artifacts from occurring.
LEARN: When using Manual mode, you can use the Learn button to set the noise threshold to a noise reference.
Tips for Learning a noise profile
- Find a passage of pure noise in your audio and use Learn to analyze it.
- Longer selections of noise will set the Threshold Nodes to more ideal locations.
- We recommend finding at least one second of pure noise to Learn your noise profile from.
OPTIMIZE FOR DIALOGUE OR MUSIC: Because dialogue tends to be in short bursts and vocals tend to have sustained notes, we’ve added modes to provide better results when applying Voice De-noise processing.
- Optimize for DIALOGUE reacts to noise changes faster and isn’t meant to handle the noise found in sung vocals.
- Optimize for MUSIC does not attenuate sustained notes and is more transparent when applied to sung vocals.
THRESHOLD NODES: The Threshold Node controls on the frequency spectrum display allow you to modify the noise threshold curve, which can be thought of as the “noise profile.” These six points can be adjusted manually to suit the noise currently in your signal. These controls can be automated to compensate for shifts in the audio’s noise floor.
- In ADAPTIVE Mode, the Threshold Nodes are adjusted automatically in real-time.
- In MANUAL mode, more than one Threshold Node can be selected at a time for manual adjustment by clicking and dragging anywhere on the interface.
THRESHOLD: The master Threshold control allows you to offset all Threshold Node values by the same amount. If you find that processing is too aggressive or processing is affecting audio you want to leave unprocessed, try adjusting this control.
REDUCTION: Provides control over the maximal depth of noise reduction (in dB) that will occur per frequency band while a signal component is below its threshold. If you have your thresholds set properly and don’t like the results you’re getting, try adjusting this control.
METERING
- The Input Spectrum meter shows the level of the signal at the input of the denoiser filters.
- The Output Spectrum meter shows the level of the signal at the output of the denoiser filters.
- The Gain Reduction Region is the area between the Input and Output Spectra. This shows the amount of noise reduction processing being applied to your signal.

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Voice De-noise Plug-in

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Voice De-noise has been specifically designed to provide high efficiency, zero latency adaptive noise removal when inserted on a track in your DAW or NLE. The Spectral De-noise plug-in is far more resource intensive and uses higher latency.